D-Archiver 2K NewFrontier (Cat. CINE10-B)

D-Archiver 5k (Cat. CINE10-C)

The bridge connecting Analog and Digital for Film-Restoration

intro

All in One Solution for Film Archival

  • Film Inspection Table

  • Film Restoring Table

  • Moviola & Splicing Table

  • Scanning with different resolutions up to 5K

Suitable for all 35mm and 16mm film formats and optionally for  9,5 Pathè, 8mm, Super8 and 17,5mm.

The new complete tool for the Restoration and Archival  Process developed for any  old, shrunken, brittle or warped film.

Cine10B

Old, damaged and brittle films 

MAIN CHARACTERISTICS

Horizontal equipment layout for an easy and comfortable use together with all necessary tools for a direct and immediate intervention on the film in case of repairing / restoration.

Smooth, gentle and precise transport is digitally driven, not pin registered for a perfect passage and steadiness even with very old, damaged, brittle and shrunken film.

Variable size rollers for an easy switch between the various usable film formats (35 and 16mm and optionally the 8mm, S8, 9.5Pathé plus the new 17.5mm).

White LED stroboscopic system gives a sharp and crisp image, keeps the light color stable over its long life.

Special light diffuser works as a powerful, effective scratch-remover, masking a great number of physical defects onto the film base, just as a wet print system would do, so making the digital post-production cleaning easier and cheaper.

Exclusive combination of a special dry gate, a constantly controlled tension and a high focal depth to centre focus even with extremely warped film.

Adaptability to different levels of ageing film (shrinkage and fragility) thanks to an adjustable sprocket system and a customisable tension control that lets you pass through, virtually, any kind of film disregarding its condition.

Large color touch screen gives instant access to all necessary information on the system status and film position.

A white LED backlight source over the surface gives instant and practical lighting of the film when manual access/operation is required.

New rolling analog sound reader head keep flat all curly and shrunken films (for 35mm and 16mm). This allows an excellent reproduction of sound even from film in very poor condition.

A PTR set cleans the film before the acquisition while the diffused Led-Light ensures an optical concealment of any remaining dust, debris, lint and scratches.

Full screen vision for perfect and clear visual access to the film colour and any physical defects of the media (IR vision is available as an option).

Complete and full control of image parameters for a perfect adaptation to the film color space.

Variable Rollers
Special "wide formats" variable roller

Light&Lens
White LED stroboscopic Light/35mm Archive Gate

Rolling Sound Reader Head
Rolling sound reader head
 Touch Screen
Touch Screen
 Variable pitch control
Variable "pitch control"
 Sprocket&FilmHolder
Adjustable pitch passive sprocket and Film holder
Backlight illumination box
Inspection LED backlight source
Features D-Archiver NewFrontier
Cine10-B
D-Archiver 5K
Cine10-
C
D-Archiver 5K
Cine10-
C+
SENSOR AREA   KODAK KAI      2336*1752 5088*3840 5088*3840
Scanning maximum rate  up to 25fps @ 2336*1752 12bit  up to 12fps @ 5k / up to 25fps @ 2k up to 12fps @ 5k / up to 25fps @ 4k
Workflow passages One: Dpx, Avi Uncompressed or Raw saving.
Two: 1 for RAW + 1 for DeBayering process to output single or multiple file formats
One: Dpx, Avi Uncompressed or Raw saving.
Two: 1 for RAW + 1 for DeBayering process to output single or multiple file formats
One: Dpx, Avi Uncompressed or Raw saving.
Two: 1 for RAW + 1 for DeBayering process to output single or multiple file formats
Pause feature during the recording YES: only when recording as RAW or Dpx YES: only when recording as RAW or Dpx YES: only when recording as RAW or Dpx
Colour editing after recording YES YES YES
Output format Direct flow: RAW, Dpx AVI Uncompressed
2 Passages Flow (Debayering): Dpx, Avi (Compressed and Uncompressed), Jpeg, Jpeg2000, TIFF8, TIFF16.
Direct flow: RAW, Dpx AVI Uncompressed
2 Passages Flow (Debayering): Dpx, Avi (Compressed and Uncompressed), Jpeg, Jpeg2000, TIFF8, TIFF16.
Direct flow: RAW, Dpx AVI Uncompressed
2 Passages Flow (Debayering): Dpx, Avi (Compressed and Uncompressed), Jpeg, Jpeg2000, TIFF8, TIFF16.
Particle Transfer Rolls YES YES YES
Film Format: 16mm and 35mm B/W and Color
(8mm, Super8, 9,5 Pathè, 17,5mm with optional additional gates)
Sound Format: ComOpt and optionally ComMag


Illumination: Ultrabright white 4300K° LED Array
Dimensions LxWxH: 160x100x110cm (63x40x43in).
Weight: approx. 200 Kgs. (440Lbs).
Power consumption: Max 4Amp.
Mains: 220/110VAC 50/60Hz. Noise: approx. 65db.
PROMO CLIP
DOWNLOAD D-Archiver2 Promo Clip
STREAMING YouTube promo streaming

BROCHURE RTI UK RTI USA

OPTIONALS

Even if the D-Archiver is a very flexible device, some optionals are sometimes required.

 

 
SF Scratch Finder Optical Unit  PH116-C

The SF Optical Unit (Cat. PH116-C) is a special CCIR camera with an 950nm infrared light that enhances any film surface fault showing it clearly on the monitor screen during processing.

With the optional SF Optical Unit (Cat. PH116-C)  scratches of any size, snow dots and any kind of fault small blemishes (acetic syndrome included) are immediately enhanced to be easily visually detected and restored on both positive and negative film. The infrared light illuminates the selected frame eliminating the printed latent image for a more accurate inspection and an easier restoration.

Ph116b

Optional Scratch Finder Optical UnitPH116-C

Scratch Example
Scratch example
Vinegar Syndrome
Vinegar Syndrome example


 
Archive gates Cine10-A3 / Cine10-A4

Films in very "bad" physical condition (curly, curved, etc) are, because the natural fluctuation in front of the sensor lens, not easily treatables. An optional set of "archive gates" were developed just for this purpose.
They are structured so to take advantage of the traction applied on the film forcing it to run over a "specially" shaped and polished track. The result will be a flat and in focus film during all its required running session.
Archive Gate 35mm
35mm Archive Gate

Archive Gate 16mm
16mm Archive Gate
ComMag Sound Reader Heads Cine10-A3/Cine10-A6/Cine10-A7

These heads give the possibility to read the magnetic sound tracks applied by the side of the picture in place of the optical sound tracks.
The heads are equipped with two axis regulation to let you customise and adapt the magnetic pickup of the film.


Note: The Super8 head it is compatible with the "compensation track"


Cine10-A6 16mm ComMag Sound Reader Head
 

Cine10-A7 Super8 ComMag Sound Reader Head

Cine10-A3 ComMag/SepMag Flexible Sound Reader Head

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